Article 211-63
…for the production of feature-length cinematographic works:1° Sums paid by production companies in return for options or assignments relating to the literary and artistic property rights of authors, i…
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Showing 6111–6120 of 15236 articles for “Art. s. 496 et 504”
…for the production of feature-length cinematographic works:1° Sums paid by production companies in return for options or assignments relating to the literary and artistic property rights of authors, i…
Direct allocations are subject to the same payment and repayment conditions as investment allocations, of which they are an accessory.
Direct subsidies are granted to delegated production companies for the creation of a digital subtitling file and a digital audio description file at the same time, and for the adaptation of these file…
…For each beneficiary production company, the amount of the direct allocation is equal to the ratio between the amount of the aforementioned appropriations and the number of works which, at 31 December…
…been significantly reworked in terms of its writing, production conditions or financing arrangements. In any event, no more than three applications for support may be submitted for the same project,…
Works are eligible for post-production support if they:1° Meet the general conditions set out in sub-section 2 of section 1 of this chapter;2° Are in original French or, if at least two different lang…
…hic work is released for screening;2° A final allocation decision after the amount of aid has been determined.
…inematographic works of cultural interest to the French overseas departments, regions and communities.
The aid is awarded in the form of a grant.The aid is the subject of an agreement with the production company.
…regional language used in France is the most widely used language, are eligible for direct subsidies.However, this condition does not apply to projects for fictional works based on operas and produce…
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