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Showing 591–600 of 65809 articles for “Art. R 212-1/2”
The operator of a cinema is responsible for the printed tickets in his possession. He must be able to show the tickets not yet used and to justify, if necessary, the missing quantities of tickets.In t…
Ticket manufacturers, importers or merchants declare their deliveries of printed tickets, specifying:1° The names and addresses of the cinematographic establishments to which they are sent;2° The numb…
Printed tickets are made up of two parts, one for the spectator and the other, called the "coupon", for the ticket inspector. The part reserved for control is placed, after being detached, in a box sp…
Performers may not prohibit the reproduction and public communication of their performance if it is incidental to an event constituting the main subject of a sequence of a work or audiovisual document…
I.-If the authorisation given in application of article L. 212-3 provides for flat-rate remuneration, the phonogram producer pays the performer, in return for the exploitation of the phonogram contain…
I.-Where the performer has transferred all or part of his rights on an exclusive basis, he may, in the absence of any exploitation of his performance, terminate ipso jure the transfer of all or part o…
The admission of any spectator to film screenings organised by the operators of cinematographic establishments gives rise to the issue of an admission fee under the conditions laid down by the provisi…
Each entry fee corresponds to the entry of a single spectator.All spectators are required to keep proof of their entry fee until the end of the film show.
The operators of cinematographic entertainment establishments may use different categories of tariffs that they determine for the admission of spectators.Each of the tariff categories is associated wi…
Admission consists of: 1° Either giving the spectator a ticket printed on paper taken from a counterfoil book, a roll or a vending machine. The admission charge in question is known as a "printed tick…
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