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Showing 61–70 of 14537 articles for “Art. L213-6”
The form of the production account, the definition of the different categories of expenditure that make up the account and the nature of the means of financing are determined by a professional agreeme…
Article L. 123-1 does not apply to contracts for the granting of cinematographic performance rights.
The basis for the proportional contribution is determined by the proceeds from the sale of admissions or, in the case of a cinema access package giving entitlement to multiple admissions, the sums cor…
Any producer who, in his capacity as line producer, has taken the initiative and financial, artistic and technical responsibility for the production of a feature-length cinematographic work eligible f…
I. - The following are required to contribute, either directly or through an intermediary, to the financing of the investments necessary for the initial installation of digital projection equipment in…
The Centre national du cinéma et de l'image animée may, within three years of the date of issue of the cinematographic exhibition licence, audit the production account referred to in article L. 213-24…
Exhibitors of cinematographic establishments transmit to distributors the data extracted from the operating logs of digital projection equipment relating to the exhibition of long-running cinematograp…
The form of the operating account as well as the definition of gross receipts, operating costs and general operating costs are determined by a professional agreement concluded between the representati…
The line producer transmits the operating account submitted to him in application of sub-section 1 of this section to the other co-producers, to the companies to which he is linked by a financing cont…
The Film Ombudsman promotes or encourages any conciliatory solution. He may make the conciliation report public.
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